Subhash Ghai’s Kisna: The Warrior Poet completes 20 years, sparking a wave of nostalgia for the filmmaker and fans alike. Known for its poetic storytelling, stunning visuals, and soulful music, the film holds a special place in Indian cinema. In an exclusive conversation with ETimes, Ghai reflects on its legacy, challenges, and enduring charm. Excerpts…
A lot of people thought Kisna was ahead of its time.
Filmmakers often create movies driven by their conviction and passion. Such films are neither ahead of their audience nor behind them. Sometimes, despite being made with utmost satisfaction, new ideas, and nw expressions, they don’t succeed. Yet, a filmmaker takes pride in their work, as classics are often unrecognized in their time. Recently, someone told me they watched the movie last week and appreciated it. It reflects the journey of Indian culture. Many films face a similar fate—it’s just how it goes.
Although the film was underappreciated, the music and songs are became quite popular.
Ashok Mehta‘s breathtaking cinematography, Rahman’s soulful music, and the remarkable performance of English actress Antonia Bernath, who came from the London Film School, were truly standout aspects of the film. Reflecting on these elements brings back a flood of cherished memories.
What do you think about Vivek Oberoi‘s performance in the film?
Vivek was initially meant to portray a horse rider, but after a fall from the horse left him unwell, he gained weight, which made it difficult for him to fulfill the script’s demands. Despite this, he remains a talented actor. The film was very poetic and very aesthetic. Every film need not be called a blockbuster. In times to come, people will love and appreciate this film.
